The short answer
Room tone is the sound of your recording space with nobody speaking. Audiobooks use it at the start and end of every file and to fill gaps, so the background never drops to dead silence. ACX recommends 1 to 5 seconds at each end of every file, no gap over 5 seconds, and a noise floor of −60 dB RMS or lower.1 Record 30 to 60 seconds of it each session.7
- At each end of a file (ACX)
- 1–5 s
- Longest gap (ACX)
- 5 s
- Noise floor, finished
- ≤ −60 dB
- Record per session
- 30–60 s
What room tone is
Film sound calls it “presence”: the “silence” recorded in a space when no one is speaking. It is different from ambience because it has no distinct background sounds, and each room has its own, set by the space and where the microphone sits.2 FilmSound.org calls it a location’s “aural fingerprint”, recorded so it can be cut in with the dialogue and keep the background continuous.3
In an audiobook, the room tone is the faint, steady sound under the narration: the room, the air, and the hiss of the microphone and preamp. You don’t notice it while it’s there. You notice when it disappears.
Why audiobooks need it
- Edits. When you cut a breath, a mistake or a noise, the gap has to be filled with something. Filled with digital silence, the soundtrack “goes dead”, which listeners hear not as silence but as something failing.2 Filled with room tone, the cut is inaudible.
- Chapter starts and ends. ACX recommends room tone at the beginning and end of every file, so chapters begin and end naturally.1
- Consistency. ACX wants an audiobook consistent in “audio levels, tone, noise level, spacing”.1 Even room tone across every file is part of that.
- Noise reduction. Tools such as Audacity’s noise reduction learn what to remove from a sample of your room tone.6
How long: ACX’s rule
ACX’s current requirements say: “We recommend between 1 and 5 seconds of room tone at the beginning and end of each file for an ideal listening experience. Room tone spacing must not exceed 5 seconds.”1
How loud room tone can be
Room tone is exactly what ACX’s noise floor requirement measures: “Each file must have a noise floor no higher than −60dB RMS.”1 Audacity’s audiobook guide suggests that if the noise is quieter than about −65 dB, you may be done, and warns that raising the loudness raises the noise with it.5
How to record room tone
Set up exactly as you’ll record
Same room, microphone, distance, gain and settings, with everything that will be on during the session switched on.
Press record and stay still
Don’t move, breathe quietly away from the mic, and let 30 to 60 seconds go by. Film sound crews record longer when the background changes.
Label it
Name the take “room tone” with the date. Record a fresh one each session and whenever something changes: a new day, a heater on, a mic moved.
Check how quiet it is
Measure it. ACX needs −60 dB RMS or lower in the finished files, and the level you raise the voice by in mastering raises the room tone too.
Audacity’s guide has blunt advice for noisy rooms: there are no tools that remove noise that keeps changing, so traffic, barking dogs or a neighbour’s TV “are now your permanent performance partners.”5 Fix the room first; room tone can only be as clean as the room.
How to use it when editing
- Fill every cut. Paste room tone over removed breaths, clicks and mistakes instead of deleting to silence. ACX’s audio scientist suggests using your editor’s paste or fill feature to place it quickly.4
- Even out pauses. Keep gaps natural, and never longer than 5 seconds.1
- Pad the ends. Give every chapter 1 to 5 seconds at the start and end.1
- Use the same session’s tone. Tone from another day can sound different, and the switch is audible.
Room tone, silence and ambience
| Room tone | Digital silence | Ambience | |
|---|---|---|---|
| What it is | The room with nobody speaking | Zero signal | Background with distinct sounds |
| Sounds like | Nothing in particular | The audio cutting out | A place: a café, a street |
| Use in audiobooks | Yes | No | Rarely, as a sound effect |